At the start of the new Millenium, after centuries of obselescence, St Andrew’s suffix has now gained new meaning, as it stands today in the shadow of the soaring Swiss RE building, more colloquially known as the Gherkin. Originally, however, the name had a different meaning.
The history of the site may extend as far back as Saxon times, and it has previously been known as St Andrew Cornhill, St Andrew juxta Aldgate and plain St Andrew the Apostle. The name Undershaft appeared in the 15th Century due to a custom that took place in the street nearby – the erection every year of a large maypole. This custom was described by Chaucer in his typically dense Middle English:
‘Right well aloft, and high ye beare your heade
The weather cocke, with flying, as ye would kill
When ye be stuffed, bet of wine then brede
Then looke ye, when your wombe doth fill
As ye would beare the great shaft of Cornehill
Lord, so merrily crowdeth then your croke
That all the streete may heare your body cloke.’
This tradition was suspended in 1517 after the so-called ‘Evil Mayday’, when City apprentices rose in riot against foreigners. Clearly the authorities did not wish any more public gatherings on this particular day. The maypole was hung aloft on houses along Shaft Alley, and today a replica maypole can still be found hanging on the wall of this alley, east of Leadenhall Street next to Marks & Spencer. Presumably the original was kept preserved in the hope that the tradition may some day be restored, but this was not to be.
In 1520 the more wealthy parishioners joined forces to rebuild the late medieval church which still stands – with various alterations – to this very day. Its major benefactor at this time was Steven Gennings, a merchant tailor and one time Mayor, with ‘every man putting to his helping hand, some with their purses, others with their bodies.’ The church was finished in 1532.
In 1549, the curate of St Katherine Creechurch – a neighbour of St Andrew, further along Leadenhall Street – was a rather fiery preacher named Sir Stephen. He denounced the dormant maypole during a sermon at St Paul’s Cross, claiming that it was idolatrous. As a consequence of this, the maypole was removed from its resting place in Shaft Alley and sawn into pieces. These events were witnessed, and later recorded, by a Cornhill tailor named John Stow. Sir Stephen was later forced to flee the City after informing against, and therefore condemning to the gallows, a popular Romford bailiff who may well have been innocent. This execution took place virtually on Stow’s doorstep.
In 1565, the nearby church of St Mary Axe was closed down and its parish united with St Andrews. This church had been dedicated to St Mary the Virgin, St Ursula, and the 11,000 virgins, and keen observers of Undershaft’s exterior today will spot a reference to the Axe. St Andrews seems to have led a quiet existence, being fortunate enough to escape the Great Fire and any significant Blitz damage. Its parish was eventually merged with St Helens Bishopsgate, and both churches were seriously damaged by the terrorist bomb which exploded in St Mary Axe in 1992, destroying the historic Baltic Exchange which now boasts the Gherkin on its site. St Andrews was repaired as quickly as possible, with none of the major changes which became so controversial at St Helens.
Generally speaking, St Andrews is not open for tourists. It is used by study groups, for prayer meetings, and a Sunday school. Pews have been cleared from the interior and corners of the building are cluttered with catering equipment and toys! A bain marie stands in the northern aisle, ready to provide a buffet for study group luncheons, and visitors need to ask prior permission at St Helens Rectory if they wish to view the interior for themselves.
The style of the building is late Perpendicular Gothic, and the crowding of surrounding buildings gives the deceptive impression that the church is very small. This impression is dispelled when the visitor actually enters – it consists of a nave and two aisles, plenty of windows both clear and stained, and the absence of pews makes the interior seem even more spacious. The roof is mainly comprised of flat wooden beams, mostly modern following the post-1992 repairs. Font and pulpit are Jacobean, and the Harris organ dates to 1696.
The church contains some notable monuments. A brass remembers Nicholas Leveson, d1539, a Sheriff who was one of the benefactors dusring the church’s construction. His father in law, Thomas Bodley, founded the Bodleian Library in Oxford. This is the oldest brass remaining in the church. A lovely monument by Cornelius Cure, Master Mason to Elizabeth I and James I, commemorates Sir Thomas Offley and his family. He was Lord Mayor in 1556.
A recess contains a memorial to Alice Byng, d1616, consisting of a small figure of Alice kneeling in prayer. She was married three times, and the monument lists her husbands and children. A monument in the south aisle remembers the Datchelor family, one of whom – Mary Datchelor – founded a well known girl’s school in Camberwell.
Three monuments deserve special attention – the large memorial to Sir Hugh Hammersley, Lord Mayor in 1627, his kneeling figure flanked by soldiers. This represents his presedential connection to the Honourable Artillery Company, which once had land near Spitalfields. Artillery Lane now marks the spot. Hammersley was also the president of Christ’s Hospital in Newgate Street, which used buildings from the old Greyfriars monastery. Another monument in the NE corner, is the terracotta figure of John Stow, seated at a desk and holding a quill. Despite his popular and influential writings, Stow ended his days in poverty and was granted a licence to beg by the King James I. His wife erected the monument; one wonders how she was able to afford it. A Latin inscription reads: ‘Sacred to the memory. Here awaits the resurrection in Christ, John Stow, a citizen of London who, having with the greatest care and diligence studied the ancient monuments, wrote the ‘Annals of England’ and ‘A View of the City of London’. He deserved well of his own time and of posterity.’
Stow’s work provides the most complete record of the City before the Great Fire, and are highly valuable primary historic sources. He was the first man to fully describe the City Churches, most of which have either disappeared or been completely altered. I resisted the temptation to kneel and wail, ‘I’m not worthy!’
The third notable monument is a simple brass to the great Tudor court painter, Hans Holbein. He lived in the parish and died during an outbreak of the plague in 1543. Opinion was divided among historians as to whether he was buried here or in St Katherine Cree, but most now follow the conclusion of John Strype – a successor of Stow – who claimed the latter. This would make more sense – more land was available for plague pits at St Katherine, due to the land to its rear belonging to the recently dissolved Holy Trinity Priory. St Andrew’s churchyard is small, and today only a tiny garden exists to the rear of the building.
According to its guardians, thanks to its recent repairs St Andrews ‘probably looks the best it has for at least 100 years’. It is well worth a visit, but remember – arrange it with the St Helen’s Church Office first!
Author Mark McManus
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